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You've selected:
Feed Your Imagination
Sheetmusic to print
7 sheet music found
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1
Feed Your Imagination
Feed Your Imagination
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Choral 2-part
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BEGINNER
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words and music by Glyn Lehman
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Feed Your Imagination
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.510160 Composed by words and music by Glyn Lehmann. Children,Rock. Octavo. 5 pages. Glyn Lehmann #3507837. Publish...
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Choral Choir (SA) - Level 1 - SKU: A0.510160 Composed by words and music by Glyn Lehmann. Children,Rock. Octavo. 5 pages. Glyn Lehmann #3507837. Published by Glyn Lehmann (A0.510160). The more you feed it - the more it grows. No, not your pet hamster - your imagination!Stories by writers like J.K. Rowling, Lewis Carroll and Dr Seuss feed our imaginations. They create new worlds in our minds and our own creativity e-x-p-a-n-d-s.A song for Book Week and all year round. A spookily fun song in unison.Feed Your ImaginationWords and music by Glyn LehmannPre-chorusMy imagination is a hungry beastStories are the food it loves to feast onThe more I feed it, the more it growsWhere it will end nobody knowsChorusFeed your imagination, keep it aliveSoon it will grow to twice its sizeFeed your imagination every dayAnd it will take you far, far, far awayFar away!Verse 1Hitch a ride with Harry on a magic broomstickFollow Alice down a rabbit holeHang around with Huckleberry Finn and hobbitsTake me where the wild things are!InterludeFeed me!I'm hungry, feed me, stories I loverepeat ChorusVerse 2J.K.Rowling, C.S.Lewis, Maurice SendakLewis Carroll, Dr Seuss, Mark TwainStories that they grew in their imaginationsAre imagination food!repeat Interluderepeat Chorusrepeat Pre-Chorusrepeat ChorusOutroFar, far, far awayFeed your imagination every day! © 2015 Glyn Lehmann. All rights reserved
$2.20 ≈
2.05€
The V!0d
The V!0d
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Piano solo
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INTERMEDIATE
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Rebecca Urman
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The V!0d
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Rebecca Urman
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1028249 Composed by Rebecca Urman. Contemporary,Film/TV,Halloween,World. Score. 1 pages. Rebecca Urman #3444657. Publishe...
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Piano Solo - Level 3 - SKU: A0.1028249 Composed by Rebecca Urman. Contemporary,Film/TV,Halloween,World. Score. 1 pages. Rebecca Urman #3444657. Published by Rebecca Urman (A0.1028249). Where is this? What is it? Only your imagination can guide you through the darkness... or feed you to it like a lamb to the slaughter.
$1.99 ≈
1.86€
Sea of Trees
Sea of Trees
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Viola
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ADVANCED
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Contemporary
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using a dark performance setti
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Dylan Dukat
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Sea of Trees
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D. Dukat
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1015752 Composed by Dylan Dukat. Contemporary. Individual part. 9 pages. D. Dukat #6431603. Published by D. Dukat (A0.101...
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Viola Solo - Level 5 - SKU: A0.1015752 Composed by Dylan Dukat. Contemporary. Individual part. 9 pages. D. Dukat #6431603. Published by D. Dukat (A0.1015752). Lost and alone.Everything that surrounds youstrikes fear in your heart.Sea of Trees presents a sonic sensory experience meant to elicit visualizations and emotions related to being lost in the woods, by presenting sounds akin to those one may hear in the woods. A deep exploration of the Viola and the many techniques accessible to its performers, Sea of Trees challenges performers, composers, and audiences alike to question their predisposed notions of the possibilities of a single instrument. Live manipulation, specifically reverberation, is used to add depth to these sounds, and to create new effects that are the resultant of the intersection of lasting sounds. By using a dark performance setting to strip the audience of a critical sense, sight, the result is sound feeding the imagination.
$10.00 ≈
9.33€
Reprise: Pure Imagination (at The Gates Of The Factory)
Reprise: Pure Imagination (at The Gates Of The Factory)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Anthony Newley and Leslie Bric
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Phyllis Hopper
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Reprise: Pure Imagination
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HopSez Productions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1309071 Composed by Anthony Newley and Leslie Bricusse. Arranged by Phyllis Hopper. Broadway,Film/TV,Musical/Show. ...
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String Orchestra - Level 4 - SKU: A0.1309071 Composed by Anthony Newley and Leslie Bricusse. Arranged by Phyllis Hopper. Broadway,Film/TV,Musical/Show. Score and Parts. 16 pages. HopSez Productions #898267. Published by HopSez Productions (A0.1309071). Here's an enjoyable arrangement your audiences will love! It's an understated accompaniment for strings plus glockenspiel (can be played by any bells, or on keyboard). I raised it a half step from the original Db to D (for ease of playing by strings). I shortened the original's fantasia to keep the focus on the vocalist. The only complicated part of this arrangement is a brief 5/4 section, which is delightful and reinforces the lyrics that tout the ease of changing your world, but may be cut if it's too difficult to sight read. Time: 3 minutesI'd love to hear from you! Please leave feedback/comments on your experience with this piece at this site and send any suggestions or arrangement requests to phroglis@tutanota.com.
$69.99 ≈
65.33€
GENIUS OF LAMP
GENIUS OF LAMP
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Piano solo
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Contemporary
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Moni Bergo
#
#
GENIUS OF LAMP
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012701 Composed by Moni Bergo. Contemporary. Score. 5 pages. Moni Bergo #5742825. Published by Moni Bergo (A0.1012701). ...
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Piano Solo - SKU: A0.1012701 Composed by Moni Bergo. Contemporary. Score. 5 pages. Moni Bergo #5742825. Published by Moni Bergo (A0.1012701). Music and song composed by me GENIUS OF THE LAMP What happens this morning Joy in the air breathe Many laughs, how much joy, Expectation of me will feed Is the birthday of His Majesty And in my court party will be An amazing sovereign All wishes will receive! He is an artist’s imaginative For us a fabulous friend Always present and generous I would like to wish him all the best because This is the party of His Majesty If you know you love him already For you that are so special here is your gift… He’s your genius Genius of the lamp for you he realize the dreams and all your desires What would you like? Do not be shy And this day will be wonderful ! He’s your genius Genius of the lamp for you If you want the stars Flight to take them to sky A pair of wings you want? Well, you’ve Between notes, and chords in high you flying! He’s your genius Genius of the lamp for you If you want the moon Well…I arrange… You find me right here Inside the music Because the lamp It is close to me! I’ll be you genius Genius of the lamp for you I’ll protect and then you sing for me We will be free Magical music The minstrel play Notes fly And all your kingdom…. Celebrate!! Happy birthday His Majesty Happy birthday to you!!
$5.00 ≈
4.67€
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
#
Almost May Score and Parts
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Heidi Savoie
#
SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.32€
Almost May Lead Sheet
Almost May Lead Sheet
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C Instruments
#
EASY
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Lead Sheet
#
Heidi Savoie
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.79€
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1
Feed Your Imagination
